February 2, 2023May 22, 2023 robwolfbooks

In Where It Rains in Color, Denise Crittendon Bases a Color-rich Utopia on Her Real Life Sojourn in Zimbabwe

September 8, 2022September 29, 2022 robwolfbooks

In Joma West’s Face, climbing the ladder is everything

August 11, 2022September 6, 2022 robwolfbooks

Society Conspires Against Those Who Try to Spread Their Wings in Megan Giddings’ The Women Could Fly

February 17, 2022March 13, 2022 robwolfbooks

Gentrifiers Return to Earth Seeking Virgin Land Where None Exists in Tochi Onyebuchi’s Goliath

November 4, 2021November 7, 2021 robwolfbooks

Jennifer Marie Brissett Brings the Myth of Persephone and Demeter to a New World in Destroyer of Light

July 22, 2021August 13, 2021 robwolfbooks

Gautam Bhatia Explores Rebellion for Rebellion’s Sake in The Wall

July 1, 2021July 18, 2021 robwolfbooks

Cloning is a Cakewalk for the Geneticist at the Heart of Sarah Gailey’s The Echo Wife—Until She Meets Her Own Unwanted Double

April 8, 2021July 18, 2021 robwolfbooks

Searching for Peace and a Mythical Bird in Robbie Arnott’s The Rain Heron

March 18, 2021July 18, 2021 robwolfbooks

Are People and Bots Collaborating or Competing in S.B. Divya’s Machinehood?

February 25, 2021March 22, 2021 robwolfbooks

Chris Panatier’s The Phlebotomist is a Bloody Business