September 23, 2021September 23, 2021 robwolfbooks

Monsters Demand Visibility, Acceptance and Safety in Cadwell Turnbull’s No Gods, No Monsters

September 2, 2021September 22, 2021 robwolfbooks

Stories Within Stories Turn S. Qiouyi Lu’s In the Watchful City into a Cabinet of Curiosities

April 8, 2021July 18, 2021 robwolfbooks

Searching for Peace and a Mythical Bird in Robbie Arnott’s The Rain Heron

January 14, 2021March 22, 2021 robwolfbooks

In Rebecca Roanhorse’s Black Sun, Myth and Megafauna Come to Life in a Fictional Mesoamerica

November 25, 2020December 25, 2020 robwolfbooks

In Alix E. Harrow’s The Once and Future Witches, Voting is Harder than Magic

October 29, 2020December 1, 2020 robwolfbooks

P. Djèlí Clark Brings to Life the Monster that is White Supremacy in his New Fantasy Ring Shout

July 30, 2020October 18, 2020 robwolfbooks

Science Meets Lovecraftian Horror in Premee Mohamed’s Beneath the Rising

January 2, 2020January 16, 2020 robwolfbooks

In Seanan McGuire’s Middlegame, Siblings Conquer the Universe with Language and Math

October 24, 2019October 25, 2019 robwolfbooks

H.G. Parry’s The Unlikely Escape of Uriah Heep Celebrates Literary Analysis with a Bit of Magic

January 17, 2019January 17, 2019 robwolfbooks

Sing Out Loud (the Fate of Our Species May Depend on it): Catherynne M. Valente On Space Opera‘s Humor and Humanity