May 5, 2022 robwolfbooks

Khan Wong’s Young Hero Seeks Freedom and Self-Acceptance in The Circus Infinite

February 17, 2022March 13, 2022 robwolfbooks

Gentrifiers Return to Earth Seeking Virgin Land Where None Exists in Tochi Onyebuchi’s Goliath

January 7, 2022January 17, 2022 robwolfbooks

Dan Hanks, with Help from a Killer Santa, Shows the Dark Side of Nostalgia in Swashbucklers

December 16, 2021March 13, 2022 robwolfbooks

Patricia A. Jackson Dreams of Angels and Demigods in her Debut Fantasy Forging a Nightmare

November 27, 2021January 17, 2022 robwolfbooks

In 2034, Elliot Ackerman and James Stavridis Offer a Cautionary Tale about the Next World War

November 4, 2021November 7, 2021 robwolfbooks

Jennifer Marie Brissett Brings the Myth of Persephone and Demeter to a New World in Destroyer of Light

October 14, 2021November 2, 2021 robwolfbooks

Donuts, Violins and Aliens Fuel Self-Discovery in Ryka Aoki’s Light from Uncommon Stars in

September 23, 2021November 7, 2021 robwolfbooks

Monsters Demand Visibility, Acceptance and Safety in Cadwell Turnbull’s No Gods, No Monsters

September 2, 2021September 22, 2021 robwolfbooks

Stories Within Stories Turn S. Qiouyi Lu’s In the Watchful City into a Cabinet of Curiosities

August 12, 2021September 7, 2021 robwolfbooks

Jackson Ford is Full of Sh*t (in a Good Way)