June 6, 2019June 6, 2019 robwolfbooks

In Theory of Bastards, a Misanthropic Scientist Sees Humanity in Bonobos’ Sexual Exploits

May 16, 2019May 16, 2019 robwolfbooks

Caitlin Starling Goes Deep into a Dangerous Cave–and the Minds of Her Characters–in The Luminous Dead

May 3, 2019May 3, 2019 robwolfbooks

The Upside of Dystopia: Meg Elison’s Characters are Free to be Themselves in The Book of Flora

April 11, 2019May 2, 2019 robwolfbooks

Don’t Judge an Alien by its Tentacles in Charlie Jane Anders’ The City in the Middle of the Night

March 21, 2019May 2, 2019 robwolfbooks

Alien Invaders Shine a Light on Human Nature in Tade Thompson’s The Rosewater Insurrection

March 7, 2019May 2, 2019 robwolfbooks

120 Years is No Obstacle for A Father Trying to Save His Child in Mike Chen’s Here and Now and Then

February 18, 2019April 3, 2019 robwolfbooks

It’s A.I. vs. A.I. in Crucible, James Rollins’ Latest Sigma Force Installment

February 2, 2019February 2, 2019 robwolfbooks

Read Excerpts from the Tom Sweterlitsch Interview on LitHub

January 30, 2019April 3, 2019 robwolfbooks

Reality Proves Slippery in Tom Sweterlitsch’s The Gone World

January 17, 2019January 17, 2019 robwolfbooks

Sing Out Loud (the Fate of Our Species May Depend on it): Catherynne M. Valente On Space Opera‘s Humor and Humanity