September 23, 2021November 7, 2021 robwolfbooks

Monsters Demand Visibility, Acceptance and Safety in Cadwell Turnbull’s No Gods, No Monsters

September 2, 2021September 22, 2021 robwolfbooks

Stories Within Stories Turn S. Qiouyi Lu’s In the Watchful City into a Cabinet of Curiosities

August 12, 2021September 7, 2021 robwolfbooks

Jackson Ford is Full of Sh*t (in a Good Way)

July 22, 2021August 13, 2021 robwolfbooks

Gautam Bhatia Explores Rebellion for Rebellion’s Sake in The Wall

July 1, 2021July 18, 2021 robwolfbooks

Cloning is a Cakewalk for the Geneticist at the Heart of Sarah Gailey’s The Echo Wife—Until She Meets Her Own Unwanted Double

June 10, 2021July 18, 2021 robwolfbooks

In Andy Weir’s Project Hail Mary, a reluctant astronaut is mankind’s best hope against a microscopic enemy

April 29, 2021May 18, 2021 robwolfbooks

A Lab-born Soldier Yearns for a New Life in Ginger Smith’s The Rush’s Edge

April 8, 2021July 18, 2021 robwolfbooks

Searching for Peace and a Mythical Bird in Robbie Arnott’s The Rain Heron

March 18, 2021July 18, 2021 robwolfbooks

Are People and Bots Collaborating or Competing in S.B. Divya’s Machinehood?

February 25, 2021March 22, 2021 robwolfbooks

Chris Panatier’s The Phlebotomist is a Bloody Business