Rob Wolf

November 27, 2021January 17, 2022 robwolfbooks

In 2034, Elliot Ackerman and James Stavridis Offer a Cautionary Tale about the Next World War

November 4, 2021November 7, 2021 robwolfbooks

Jennifer Marie Brissett Brings the Myth of Persephone and Demeter to a New World in Destroyer of Light

October 14, 2021November 2, 2021 robwolfbooks

Donuts, Violins and Aliens Fuel Self-Discovery in Ryka Aoki’s Light from Uncommon Stars in

September 23, 2021November 7, 2021 robwolfbooks

Monsters Demand Visibility, Acceptance and Safety in Cadwell Turnbull’s No Gods, No Monsters

September 2, 2021September 22, 2021 robwolfbooks

Stories Within Stories Turn S. Qiouyi Lu’s In the Watchful City into a Cabinet of Curiosities

August 12, 2021September 7, 2021 robwolfbooks

Jackson Ford is Full of Sh*t (in a Good Way)

July 22, 2021August 13, 2021 robwolfbooks

Gautam Bhatia Explores Rebellion for Rebellion’s Sake in The Wall

July 1, 2021July 18, 2021 robwolfbooks

Cloning is a Cakewalk for the Geneticist at the Heart of Sarah Gailey’s The Echo Wife—Until She Meets Her Own Unwanted Double

June 10, 2021July 18, 2021 robwolfbooks

In Andy Weir’s Project Hail Mary, a reluctant astronaut is mankind’s best hope against a microscopic enemy

May 20, 2021July 18, 2021 robwolfbooks

The Twists and Turns of Evolution in Adrian Tchaikovsky’s The Doors of Eden